It allows him to talk about something he’s passionate about, it’s a direct continuation of familiar themes for him, and even the nearly– impossible setting that triggers the protagonist’s imagination is fully up his alley, which makes for a show that immediately feels Yuasa-like without requiring his visual flourish as a storyboarder. Thanks for the accidental dare, anonymous heroes.Īs it turns out, the people who inadvertently suggested Yuasa to direct this show were absolutely right about it being a perfect fit. That is such a natural fit for the director that you’d have never guessed that this entire project is kind of a happy accident born from the fact that Yuasa looked up his name on social media and realized some people said he’d be the right man for the job of adapting it. Oowara and Yuasa’s take is just as charming on a character level, but instead focuses on the evocative power of animation and its nature as an extension of our vast imagination. Tsutomu Mizushima’s approach to the subject matter was a straightforward declaration of love to the real anime industry, without shying away from its many shortcomings, and telling an endearing story along the way. While the nods are there, this is an entirely different beast from the likes of Shirobako. culture gags in the scriptwriting stage or carefully tracing over iconic Future Boy Conan footage because they only managed to secure partial clearance to feature it.ĭon’t take the specificity of those examples as a sign that Eizouken‘s love for animation manifests in very referential forms, though. Western fans have long since appropriated the word to refer to instances of particularly good animation, in the same way that a subset of Japanese fans do. We’ve got a mangaka like Sumito Oowara with a strong investment in the medium – and a good understanding of animation’s specific demands, as we’ll keep seeing throughout the show – plus a team that’s enjoying the chance to nerd out further every step along the way, be it by expanding sakuga Sakuga (作画): Technically drawing pictures but more specifically animation. Yuasa is channeling his own passion to such an extent that he’s already turned the show’s nerdy protagonist Midori Asakusa into kind of a self-insert vessel if you think that’s an exaggeration, just compare the concept art she draws with the director’s own imageboards, because the extreme resemblance is hilarious.īut of course, a TV anime adaptation is inevitably a group effort, and the reason why Eizouken clicks so fast is that the whole crew involved shares that same love. And when it comes to Keep Your Hands Off Eizouken!, there’s no doubt that the recipient of that love is animation. The mantra that every Masaaki Yuasa work is about love keeps getting repeated for a simple reason: it’s 100% true. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga. 2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation.
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